翻訳と辞書
Words near each other
・ Yürük semai
・ Yürükkaracaören, Bolvadin
・ Yürükçal, Vezirköprü
・ Yüzbaşı, Karataş
・ Yüzbaşılı
・ Yüzbeyi, Suluova
・ Yüzbeyli, Kalecik
・ Yüzükbaşı, Polatlı
・ Yüzüncü Yıl University
・ Yā Banīy As-Saharā
・ Yājñavalkya Smṛti
・ Yāska
・ Yīn (surname)
・ Yīng
・ Yıkılgan, Amasya
Yıkılmayan Adam
・ Yılancı, Kastamonu
・ Yılancık Ada
・ Yılankale
・ Yılankale, Ceyhan
・ Yılanlar, Ulus
・ Yılanlı
・ Yılanlı, Kalecik
・ Yılanlı, Çamlıdere
・ Yılanlıca, Devrek
・ Yılanlıcakuz, Devrek
・ Yıldo
・ Yıldıray
・ Yıldıray Baştürk
・ Yıldıray Çınar


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Yıkılmayan Adam : ウィキペディア英語版
Yıkılmayan Adam

''Yıkılmayan Adam'' (''The Indestructible Man'') is a Turkish political film by director Remzi Aydın Jöntürk, is the final film of his "Adam Trilogy". It comes after ''Yarınsız Adam'' (Man Without Tomorrow) of 1976 and ''Satılmış Adam'' (The Sold Man) of 1977. Cüneyt Arkın plays the leading role. The film tells the story of the class struggles in Turkey in the late 1970s with a powerful style.
It is memorable for several scenes. The first is the "Bar Scene" where Çakır, portrayed by Cüneyt Arkın, gets angry at the youth in the bar because they are humiliating a veteran soldier. The second scene is the ending where everybody betrays Çakır and point their guns at him. While walking in front of the crowd, Çakır is killed but never falls to the ground-a symbol of the masses that won't surrender even in the case of death. Remzi Aydın Jöntürk, in fact, used a real labor strike gathering organized by the Revolutionary Labor Union (DISK) as the scene for this final scene displaying some of the banners of the left-wing trade union movement, DISK. This particular scene later led him to be charged by the Military Court on grounds of "Promoting Communism".
== Political prosecution of Remzi Aydın Jöntürk by the military dictatorship of 1980 ==
As a result of some of the politically charged lines and scenes in the film, in 1981 Remzi Aydın Jöntürk was falsely prosecuted for "Promoting Communism" (Komunizm Propagandasi) by the State Security Court established by the 1980 Turkish coup d'état then ruling dictator General Kenan Evren . However, unlike some of the other left wing artists of the time, Jöntürk had refused to escape to Western Europe following the military coup and faced the military courts. In 1985, the charges were dismissed following Turkey's return to democracy.
Following the charges, he was unable to find major projects to direct as the influence of the military continued in the State Film Censorship Board where many of Jöntürk's future films failed to pass without major modifications to their scripts or post-production re-edits until the late 1980s; a few years before his death in a car accident returning from shooting his final movie "Afrodit".

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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